Social media content · video production
I come over, film for a day at your place, and that one day's material becomes a whole week of content. Editing, copy, publishing — the whole chain, done by the same person. Over 300 million views managed so far.
What you get
The most expensive part of content isn't the camera, it's the travel and the organising. That's why it's filmed in a block: one day at your place, then I work alone.
At the practice, in the workshop, in the shop. Not in a studio, because people want to see the real place you work in.
Reels, TikTok, Shorts. Cut for the first two seconds, because that's where it's decided whether anyone sees you at all.
Descriptions written in English that sounds human. No twenty hashtags thrown on at random.
Posted to a calendar, not whenever you remember. The rhythm is what builds the account.
You get everything that was filmed, raw and edited. Use it wherever you like, including after we stop.
Content sends people to the site, the site closes them. If a piece is missing, it shows in the numbers.
How it goes
A list of subjects beforehand, so the filming day isn't spent thinking it up on the spot.
I come to you with everything needed. You get on with your work, I film that work.
That one day becomes the clips for the week ahead. You see them before they go anywhere.
On a rhythm, week after week. At the end of the month I tell you what worked and what didn't.
The proof
Sometimes the best content is the page itself. This is a real 3D model that moves with your finger, in the browser, with no app. Drag it around.
Questions
It helps enormously, but it isn't required. We can film the work, the product, the workshop, the hands doing the job. People watch people, so if you can appear, appear — if not, we film what you do rather than who you are.
Three posts a week kept up for a year beats thirty in one month followed by silence. We pick the rhythm from how much content can realistically be filmed in a day.
We'll have results from the first month. I've had clients at +800% and clients at +30% in 30 days. It depends on your business and on what we film: if the person in front of the camera has energy that's enjoyable to watch, the results are superb. If not, we progress a little more slowly.
Yes. I'm based in Arad, Romania, but I work with clients elsewhere — we film on location for a full day, and that material becomes a whole week of content, so the travel makes sense.
What's next
Limited spots